Archive for the ‘Documentary’ Category

Giada Archidi

Eastern market

Giada Archidi was born in Milan in 1985. She started “playing” with the camera very young. In 2009 she graduates with a thesis titled “About Street Photography” at the Brera Fine Arts Academy. Today she’s still trying to capture the beauty of daily life; her motto is inspired by Henry Cartier-Bresson’s famous statement “to me photography is to place head heart and eye along the same line of sight. It is a way of life”.

Eastern market
Every week-end in Milan at the parking lot close to the Cascina Gobba metro station, there’s a changing city, a city that breathes new air and new tastes from Eastern Europe. The area outside the parking lot of Cascina Gobba turns into a market and a place to exchange objects and food. This place is of great importance to the Ukrainian, Moldavian, Romanian and Russian immigrants that live it , as it represents on small scale what their country was, and they can imagine for few hours to be there. That’s how you meet every kind of stalls and the “carriers”: commuters who travel once a week from Eastern Countries to Milan, carrying packages to the families and earning a few dozen euro. But the inhabitants of this area call this traffic as “the way of the care workers”, as the confluence of these women in this area is very high, and their main occupation is taking care of our elderly (to whom we often don’t give importance). Entering this world, so different from our origins and from the daily life today we are linked to, is such an incredible experience: we can travel those far away countries just through the people that live them. I believe that men today should love their own country keeping their traditions but also knowing how to appreciate other countries which are found not just at the Cascina Gobba’s parking lot but all over the city. This reportage wishes to give a different look at the city, so that people can get to know a whole world inside the daily life of Milan.

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Interview with Giada Archidi

Realized by Anna Mola: blogger, text writer, art curator. Teacher of history and criticism of photography at Mohole Shool.

Anna Mola:
Looking at you pictures, I notice a great coherence between story and realization. Would you talk about how the idea has influenced the construction of the images? I mean: how the technique (framing, colours, post-production) was in service for the idea behind this reportage?

Giada Archidi:
Eastern market was a personal project, I’m always curious about the other cultures, and in Cascina Gobba I’ve found a parallel world. The technique that I used was derived from street photography, it’s not an invasive reportage but it’s like a simple look without cultural influences, I chose to elaborate the images with the typical colour of crossed process to bring near the east places.

Cascina Gobba is a quarter of Milan. A Milan really not recognizable in these images. How did you feel shooting them? As a street photographer or a foreign in your city also?

When I was going for the first time in Cascina Gobba I felt to be in other country but my approach was like a street photographer, I love to capture the moment.

By this time, we can’t talk about “one” Milan anymore. They are several Milan: a kind of “Chinese Milan”, “Arabian Milan”, “Indian Milan”, exc. Do you think you’ll develop this theme with other reportage about other cultures in Italy?

I hope, in order to produce this works you need time to find the good place and if there is the good story. I would like to find the other small cultures in Milan, live their culture and tell an interesting story.

In your web site, I see different kind of photography: portrait, urban landscape, concert photography. What’s the “common denominator”? Just experimentation or something else?

I love photography and also videomaking, I think that experimentation and curiosity work like a “common denominator”.
I’m working in a new project, a common studio named ‘Bubbles’, it’s a container of ideas, a place where creative people can come to us and speak about their ideas and with “Bubbles team” and me we can turn these ideas into reality.

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Posted on: November 23rd, 2011 by admin No Comments

 

Mahir Vranac

East Bosnia

Mahir Vranac is a photojournalist from Visoko, BiH. He was born in 1985. He work as a freelance photojournalist, recording daily events in the territory of BiH. At the moment he is working on personal projects in BiH and continuing his photojournalist work.
> Personal website:
mahirvara.wordpress.com

East Bosnia (2009)
This story is about raising awareness among people about the second generation of the Bosnian Muslim population in eastern Bosnia, which has experienced war crimes during the war in Bosnia (1992-1995).
Eastern Bosnia is now the space of sadness and unpleasant memories, a living area of nationalism and cheap emotional manipulation, that the first “sting” the eyes, but also the space where the position of the victim attempts to convert the position of a dignified life.

Posted on: August 31st, 2011 by admin No Comments

 

Cécile Mella

Fictional Cape Town

At 27, Cécile Mella is a young photographer in the art world, although she has six years’ experience as a freelancer and has had portraits and reportage published in several magazines, including New York Times Magazine, Monocle, Marie-Claire, The Times Travel, Horizons, Polka… Fictional Cape Town is her first personal series, focusing on advertising shoots in South Africa. The series had been shortlisted for numerous awards and is beeing exhibited around the globe.
Personal website:
www.cecilemella.com

Fictional Cape Town is a series of photographs taken in and around tv commercial production’s sets.
It focuses on the foreign advertising production industry in and around Cape Town, South Africa.
Cape Town has a surprisingly large film industry. It’s not like Bollywood or Nollywood (Nigeria), where home- grown stories dominate. Most shoots are in fact advertisements for foreign companies selling everything from chewing-gum to yoghurt (the favourable exchange rate and sunny climate make it worth the long trip to the tip of Africa). What is fascinating is that these companies turn locations in Cape Town — an iconic African city — into European, British or American scenes. So a characteristic wine farm is transformed into a Dutch homestead, or a Long Street cafe becomes a Parisian bistro for a day or two.
The work documents the way the industry semi-colonises slices of the city and reflects on issues such as the outrageous world of advertising and new forms of colonisation of the African space.
I hope that it captures the appealing artifice of the advertising world, the careful manufacturing of a sense of place. But glimpses of the real Cape Town can also be noticed by the attentive viewer. The images, crooked landscapes of a crooked place, play with the friction between reality and fiction while portraying the area with humor and marvel.

PRIVATE 48 - Economic inequalities
Posted on: August 27th, 2011 by admin No Comments

 

Filippo Zambon

The state of things

Filippo Zambon, born 1981 in Florence, Italy. Lives and works in Helsinki, Finland.
Personal website: www.filippozambon.com

The state of things (Burkina Faso, 2010)
One night the telephone rings. My friend Antonio, the only pediatrician of the hospital answers. I can see from his expression that something has happened. We run to the pediatric department. A kid in very bad condition has arrived. In the small hospital of Nanoro there is not enough equipment to treat him. My friend decides to take him to Ouagadougou, the capital city, with an ambulance (a ramshackle van with a big red cross painted on a side). The trip is long, two hours in the middle of the savannah, with only the light of the stars and moon to see the red color of the soil. Antonio works incessantly to keep the kid alive in front of the eyes of the parents. When they arrive at the entrance of the hospital the kid dies. Antonio enters the hospital with the kid on his arms, place him on the first bed he finds and tries a last useless attempt to reanimate him. On the same bed, there are already two small dead bodies. While leaving the hospital, Antonio notices that a kid is having some problems in one of the beds. He calls the doctor of the department and tells about the suffering kid. Both agree about the medicine to use in that situation but the doctor doesn’t start the treatment. Antonio encourages the doctor to inject the medicine before it is too late but the other replies that for that night the supply of syringe is finished. Antonio runs to the ambulance, in his backpack he finds few syringes that he brought from home.

Going back to Nanoro, in the silent night of the savannah the father of the kid thanks Antonio. They were lucky that the kid didn’t die in the hospital. Otherwise they should have paid for the transportation of the body back in the village.

The sun is raising, from the villages we can already hear the sound of the new “Floby” song.

The State of Things is a project I started in January 2010 in Burkina Faso.

PRIVATE 48 - Economic inequalities

Posted on: July 2nd, 2011 by admin 2 Comments

 

Elisa Figoli

L’Aquila: fragments from the aftermath

Elisa Figoli was born in Italy in 1979. Based in London since 2008 she works on long term documentary projects.
Personal website: www.elisafigoli.com

L’Aquila: fragments from the aftermath (March-April 2011)
At 3:32 am of the 6th of April 2009 a violent earthquake struck L’Aquila (Italy) killing 309 people and leaving 65,000 homeless but also unveiling the frailty of the Italian society and of its commonly accepted models of urban security and planning.
Investigations conducted afterwards revealed that both private and public buildings did not comply with the safety regulations and that the possibility of a serious seismic event had been largely underestimated. Two years later, the reconstruction of the town has still not properly started and the neglect is consuming what the earthquake had left behind.
L’Aquila former inhabitants live now dispersed in the suburban areas, dwelling in precarious accommodations.
This series is part of an ongoing project documenting the difficult rebirth of the town and of its community, affected by the collapse of the former social and geographical reference points, the uncertainty about the future, the harshness of daily life in an exploded urban environment.

Posted on: June 28th, 2011 by admin No Comments

 

Alexander Sayenko

Trolleybus Depot

Alexander Sayenko is a photographer based in Grodno, Belarus, where he was born in 1986. The professional photojournalism has begun in November 2006.
He work as the press photographer in the regional newspaper now. In September 2008 stringer Reuters. In October 2008 in agency Photoxpress.
Personal website: www.asayenko.com

Trolleybus Depot (2010)

These people are simple and unusual both, if descended from paintings. And yet, it’s pictures, pictures of the city which nobody sees, feels, doesn’t think about it. Trolleybus depot. This is mysterious and romantic place – dark, with incredible shades of yellow, green, blue. People who appear close, almost before the camera, look into your eyes. They, with all their reality leave feelings of fantasy, like a fairy tale trolls, hiding in a dark tree trunk where barely penetrates sunlight.

Posted on: June 25th, 2011 by admin No Comments

 

Paris Visone

Gender Roles and Appearance

Paris Visone is a documentary photographer based out of Boston. She graduated from the Art Institute of Boston where she currently teaches. Paris was chosen as a 2010 Getty Images Editorial Photography Grant recipient for her series “Gender Roles and Appearance”. She recently finished touring with and photographing the legendary punk/new wave band, Blondie. Visone is best known for her ever continuing documentary work on her family and friends. She has been featured in multiple publications including AMP magazine, F-stop Magazine, and Performer Magazine. She is currently working on a life long series that follows a group of people through their life.
Personal website: www.parisvisone.com

Gender Roles and Appearance
In this series of photographs, my intention is two-fold.  First, is to explore the gender dynamics and sexuality of my subjects.  Secondly, I am trying to capture how these dynamics are transformed into “appearances” which my subjects feel they must uphold. These dynamics are preserved as they are passed down from one generation to the next.  ”You have to look good.”  “You have to be a man.” “You have to look young if you are old, and old if you are young.”  “The more muscles you have, the better you are.” These social pressures are a focus in many people’s daily lives.  For most people, young and old, maintaining and upholding an “image” has become an obsession.  This obsession extends not only to appearance, but also to the gender roles one is imprinted with at a very young age. Throughout the course of their life, the majority of people are trapped in the confines of these roles, most oblivious to the existence of any confines at all.  One cannot escape that which he does not see.

There are layers of image-consciousness at work. I am emphasizing the way the subjects want to be perceived, the way the photographer is capturing them, and the way the viewer perceives the image as a whole.

PRIVATE Special Box
Posted on: May 29th, 2011 by admin 2 Comments

 

João Pedro Marnoto

Nine Months of Winter and Three of Hell

João Pedro Marnoto, born in 1975 in Porto, Portugal.
Personal website: www.jpmarnoto.com

Nine Months of Winter and Three of Hell
With the title taken from a popular expression from the Douro and Trás-os-Montes region, the work reflects about the people that leave beyond the slopes of the Douro River, engrained in the land that sustains its hunger and the faith that points towards the skies, in a step and deep vertigo in the temperature of the soul, the body and nature.
As one of Western Europe poorest regions, it persists a sharp rural character where the ties with nature and religion are still very strong and visible. Beyond doubt one of the last frontiers of rural life in Western Europe. However and despite the land desertification and low economic strength, the situation of hunger is never a chance since the basic needs are still guaranteed by the traditional work in agriculture and animal farming.
The many national and global economic, political and social changes of the last decades and it’s reflection on the local communities, together with the desire of younger generations to look away for better opportunities and future that home cannot guarantee, left many small places with few habitants mostly elderly with the occasional younger face born out of a family still resisting the appeal of the big town.  However it rejuvenates temporarily during the summer holidays season when all those that went away return mostly during its religious and popular festivities to visit home, family and friends, portraying a very particular facet of Portugal recent identity.
The projects presents the raw and daily life of the human condition holding strengths with the elements of nature that surrounds him, transporting metaphors of a particular time and place. Allied to a strong feeling of belonging, personifies a culture and a human relation with nature and faith vanishing in a growing and pitiless confront with new social, economical and political realities and challenges, soon to be presented only as part of tourist broachers, and replaced with more urban landscapes of an always late modernity. It is a visual representation of the opposite end of the chain of evolution and progress that brings with it the disappearance of past values.

Posted on: March 19th, 2011 by admin No Comments

 

Serge Van Cauwenbergh

My Grandmother Germaine

Serge Van Cauwenbergh: “I’m a documentary and humanitarian photographer covering social issues, creating photo essays for ngo’s, non-profit and humanitarian aid organizations. I’m based in Belgium and available for assignments worldwide.
I’m interested in the human life in general: how are people dealing with the circumstances they have to live in; how are they handling new opportunities or changes in today’s society; how are they coping with the consequences of a disaster, depression, decease or dementia. I’m focused on elements in their life that are perishable, details that are often overlooked and will otherwise be forgotten in time. My goal is to communicate these stories in a rather accessible and engaging way so the audience will be able to identify themselves with these people.
My passion for images and storytelling has its origins at a very young age. As a child I observed the world, I was extremely curious about events occurring in my environment. Everywhere around me stories were appearing. I wasn’t always aware how to capture these aspects of life in a satisfying way. Although photography appealed strongly to me, the movie industry made a more profound impression on me as a teenager. Years later I realized that photography was the appropriate medium to express my vision and to create the stories I wanted to tell.
I’m mainly a self-taught photographer, but I also completed a degree in Photography at the Academy of Fine Arts, Brussels.”

My Grandmother Germaine
I’m currently documenting the life of my grandmother, the only grandparent I have left. It’s a personal long-term project that I started in August 2008. In 2010 however, I started to photograph her life more frequently.
My intention is to document the consequences of her high age on her own life. I’m also interested in photographing little details, gestures and expressions, by most people overlooked during a regular visit. My dad often asks me when and where I took the images I show him. He admits that most of the time he doesn’t notice all those little details.
During the most part of her life she and my grandfather worked long hours every day, very hard manual labour. They cultivated blue grapes. Unfortunately, this profession has become very hard in Belgium. These days most of the grapes are imported from Italy, South-Africa or South-America. For several years now, her interest in maintaining the garden and greenhouses is going downhill very fast.
She experienced the Second World War; educated three children; lost my grandfather (68) in 1983; lost a son-in-law (52) in 2004; and more recently she lost a grandchild (29), a great-grandchild (1 day old); her own sister (87); and her daughter (my aunt) had to recover for 10 months in the hospital after a cardiac arrest.
Since last year she started to suffer from short-term memory loss.
The last few years those tragic incidents had an impact on everyone, especially on my grandmother who had to process those incidents at the age of almost 90. What she had to endure in her entire life has engraved itself onto her face…

PRIVATE 37 - an Ecological Question
Posted on: January 22nd, 2011 by admin 2 Comments

 

Franky Verdickt

The construction of a ghost city

Franky Verdickt, born in 1971 in Brussels. He is member of Photolimits, a platform for documentary photography.
[ Franky Verdickt on PRIVATE 48: Economic inequalities ]

In the 70s the Egypt government launched the the master plan to put an end to the encroachment of agricultural land. For thousands of years it was forbidden to built in the desert, for the desert remains the realm of the dead. Beside mythological reasons it was a well impossible to live in such an hostile environment. In less than 15 years, the urbanized area of Cairo has almost tripled in size. In less than a decade, a new urban world has been created at Cairo’s gates.The desert fringes, the immanent property of the state, were sold without restraint or any overall plan to private developers. And this transfer continues to this day, involving increasingly gigantic private projects.
In 1991, immediately after the first Gulf War, Egypt signed a program of reform and economic liberalisation with the IMF and the World Bank. The agreement was aimed at reducing public spending, facilitating privatizations. After this agreement, the state could no longer give priority to public housing programs. In any event, the initial program of new towns intended for the working class had entirely failed to achieve its aims. The new towns remind ghost towns.
This serie of photographs is a public housing project, called ‘Built your house’. The government gave a part of the desert were the less wealthy Egyptian can built their house. To do so they need about 15000 to 25000EGP. The key phrase in building these settlements is cutting costs. Cheap materials and child labor as a result. If the finish the house within 15 month the builders receive from the government a grant of 1500EGP (+-200€).
The workers live with no running water nor electricity in on of the most hostile places on the planet. Weekly on thursday the workers go back home to their villages for the friday prayer and return on saturday morning.
The project lies a couple of kilometres from the road to 6th of October City. It seems like some project-manages will built a more prestigious gated community to hide the proletarian city. It is doomed to become a ghost city.

PRIVATE 41 - From Poland
Posted on: December 27th, 2010 by admin No Comments

 

Eric Kruszewski

A Slice of America in 14 Days

Eric Kruszewski’s love of photography began in 2008 after his travels throughout India.  The country’s constant energy, true emotion, vibrant color, and pure culture inspired Eric to capture everyday life.  His sense of curiosity and passion for photography take Eric across the globe where he immerses himself in different cultures and illustrates life through the lens.  His passion lies in finding simple, beautiful moments in an otherwise busy and complex world.  Eric currently lives in America’s Pacific Northwest while he continues to practice his art.

A Slice of America in 14 Days – A Five-Year Revelation Abroad (2005-2010)
From 2005 to 2010, I lived in and wandered throughout 26 countries on 4 continents.  During those five years abroad, it was revealed to me that many locals too often developed views on American culture based on satellite television, bootleg movies and the latest music videos.  In the early years, discussions revolving around “media-based America” became long-winded and included explanations that would be rewarding only if others were immersed in true, American culture.  Very quickly, the long-winded discussions were truncated to simple explanations stating that too many people were only exposed to a slice of America.  Thereafter, the new, recurring question from locals became, “Where are the other slices?”  Instead of drawn-out discussions, my new, recurring answer became “I promise to show you another slice.”

In July of 2010, I decided to cease living abroad, return to America and embark on a 14-day journey across the country.  My goal was to visit regions and smaller sub-cultures that could supplement the views of American culture as a whole.  I captured moments revealed to me along a slice of America spanning from east to west.

PRIVATE 38 - Stories from the USA
Posted on: December 6th, 2010 by admin 4 Comments

 

Marika Dee

A new chapter in the history of Kosovo

Marika Dee was born in Belgium in 1970. She lives in Brussels, Belgium and took up photography in 2009. She is currently working on projects in Kosovo and Albania.

A new chapter in the history of Kosovo (2010)
This documentary photostory-in-progress, on which I started work in May 2010, aims to give a visual exploration of Kosovo and most importantly a glimpse at the plight of its people across the different communities. With about 90 % of the population, Albanians constitute the vast majority in this tiny country of about 2 million people. Other communities include Serbian, Gorani, Bosniak, Turkish, Montenegrin, Roma, Askhaeli and Egyptian.
The project is an attempt to document how Kosovans are dealing with the aftermath of the 1999 war and with life in Kosovo after the declaration of independence in 2008. I want to find out about daily life, hopes and challenges in this extremely complex postwar country.
During my stay in Kosovo, I met a lot of people who have a hard time making enough money to sustain their family. All ethnic groups consider the economic issues the biggest challenge facing Kosovo. Unemployment, which stands currently at more than 40% and very low standards of life are at the basis of a growing discontent. Huge economic challenges together with the very specific problems of a deeply divided postconflict society often seem overwhelming and unsurpassable. But meeting inspiring persons that strongly believe in a multiethnic and prosperous Kosovo and work hard towards this end, encourage a more hopeful view of the future.

Posted on: November 2nd, 2010 by admin No Comments

 

Agron Dragaj

Gun’s of Mindanao

Agron Dragaj is a Kosova born photographer currently based in Bangkok, Thailand. He graduated from Prishtina University in 1992 and New York Institute of Photography (NYIP), passion for photography led him to become a versatile, extrovert and independent photographer specializing in documentary photojournalism, travel photography and portraits.
His photography focuses on impact of war on social structures, rebel groups, displacement of people due to conflict while ongoing projects focus on the issues /wars which do not appear anymore on the mainstream media.
Five years of work in Sri Lanka went into the documentary “Portraits of Displacement”, which portrays the displacement and humanitarian relief efforts of UN agencies and I/NGOs – due not only to two decades of civil war but also the displacement of people after the Tsunami, which hit the Sri Lankan coast on 26 December 2004.

Gun’s of Mindanao (2009-10)
Mindanao, Southern Philippines. Domination of private armies, paramilitary units, Community Auxiliary Forces Geographical Unit (CAFGU), armed civilians, family blood feuds or RIDO’s, powerful political dynasties and their private armies, rebel groups fighting for independence and high level of corruption in the police and Army, leave majority of civilians especially those with no connection with political dynasties defenseless.
Powerful Mindanao families can get away without being imprisoned when retaliate and kill several members of the rival family if they are in blood feud or being a political rival. Rido’s are considered to be one of the major problems in Mindanao because apart from numerous casualties, rido has caused destruction of property, crippled the local economy, and displaced families. More than 6,000 people have been killed in rido’s and 67% of the cases remain unsolved.
Prisons are overcrowded with a pity crime offenders while members of the powerful clans despite being on the most wanted list of the Philippine National Police run for vice mayor and freely conduct election campaigns, often guarded by scores of private armies. Members of the most powerful clan in Mindanao even though in prison and indicted for most gruesome massacre can run their daily affairs from the prison cell through mobile phones.
As the gun culture in Mindanao is increasing children are growing up amid complex situation where presence of gun violence, kidnapping, insurgency and poverty is part of their daily life rendering them to uncertain future.

Posted on: October 4th, 2010 by admin No Comments

 

Giacomo Brunelli

The Animals

Giacomo Brunelli (b. Perugia, Italy, 1977) graduated with a degree in International Communications in 2002. His series on animals has been exhibited widely with solo shows at the Photofusion, London (Uk) BlueSky Gallery, Portland, Oregon (Usa), The New Art Gallery Walsall (Uk),  StreetLevel Glasgow (Uk), Arden & Anstruther Petworth (Uk), Galleria Belvedere Milan (Italy), Fotofestiwal Lodz (Poland) and Boutographies, Montepellier (France).
The work has already won a number of prizes including the Sony World Photography Award, the Gran Prix Lodz, Poland, the B&W magazine Spotlight and the Magenta Foundation “Flash Forward 2009”. He has also featured widely in the art and photography press including Eyemazing (Holland) B&W Magazine (Usa), Creative Review (Uk), Foto&Video (Russia), Images Magazine (France) Photographie (Germany), Katalog (Denmark), AdBusters (Canada).
His work is in the collection of Museum of Fine Arts Houston, Portland Art Museum and at The New Art Gallery Walsall,Uk. “The Animals”, his first monograph, was published by Dewi Lewis Publishing in 2008.

The Animals

I have been working on the series of animals for four years and with them I want to photograph their freedom to move but I am also trying to give information about their bodies (skin, hair, ears,legs) and to investigate my own reaction in their presence.
When I was a child I used to spend time playing with animals (more…)

Posted on: March 29th, 2010 by admin No Comments

 

Kobi Wolf

The story of the Bedouin tribesmen


Kobi Wolf – A 34 year old photographer based in Tel Aviv. He focuses on documentary photography and also works as a photojournalist for local newspapers.

The story of the Bedouin tribesmen in the unrecognized village of wadi al-Na’am southern Israel desert.
Wadi al-Na’am is an unrecognized Bedouin village located in the Negev Desert in Southern Israel. The village is home to about 8,000 Bedouins.  Since the Bedouins never registered their holdings on paper, their villages were considered illegal and termed “unrecognized”. The villagers are deprived of basic services such as electricity, running water, sewage system and medical services. As the villagers cannot build homes legally, the Israeli government uses demolition orders against their homes.
Israel’s hazardous industrial park and waste disposal facility, Ramat Hovav, is only 1 km away from Wadi al-Na’am. Ramat Hovav currently encompasses 14 hazardous agro and petro-chemical factories and a toxic waste incinerator. The village is also encircled by a large facility of the national electric company as well as military areas including live-fire range.
An epidemiological survey, which was released by the Israeli Ministry of Health in 2004, found higher rates of prenatal deaths, respiratory problems and birth defects among the Bedouins in the Negev. Wadi el Na’am inhabitants have been suffering from high rates of cancer, asthma  and miscarriages.

PRIVATE 48 - Economic inequalities

Posted on: January 1st, 2010 by admin 1 Comment

 

Veejay Villafranca

A Divided Race



Vicente Jaime “Veejay” Villafranca – (b. 1982 Philippines) was amongst seven Filipinos to be accepted in the first Asian documentary workshop of the Angkor photography festival in Siem Reap, Cambodia. After freelancing in 2006, he worked with Agence France Presse, Reuters, World Picture Network and the United Nations His long-term project about the life of former gang members in one of Manila’s dangerous slums, BASECO compound garnered the 2008 Ian Parry Scholarship grant in London. He is also the recipient of the 2007-2008 Asian Center for Journalism Photojournalism program in partnership with the World Press Photo Foundation. His work has been exhibited in London, Lithuania and Manila. Veejay is now working for Getty Global Assignment in London. His ongoing projects evolve around the Filipino faith, reserved space, and illegal refugees in Southeast Asia apart from his project with the gangs.


A Divided Race: Chin migrants in search for identity and life of peace

According to a study from the Institute of Peace and Conflict Studies in Delhi, India; Mizos and Chins share the same genetic, cultural, historical, and linguistic heritage as they all descend from the Zo people that have settled in the Lushai hills some seven centuries ago. At present, the geographic separation of the (more…)

Posted on: January 1st, 2010 by admin No Comments