Posts Tagged ‘Italy’

Giada Archidi

Eastern market

Giada Archidi was born in Milan in 1985. She started “playing” with the camera very young. In 2009 she graduates with a thesis titled “About Street Photography” at the Brera Fine Arts Academy. Today she’s still trying to capture the beauty of daily life; her motto is inspired by Henry Cartier-Bresson’s famous statement “to me photography is to place head heart and eye along the same line of sight. It is a way of life”.

Eastern market
Every week-end in Milan at the parking lot close to the Cascina Gobba metro station, there’s a changing city, a city that breathes new air and new tastes from Eastern Europe. The area outside the parking lot of Cascina Gobba turns into a market and a place to exchange objects and food. This place is of great importance to the Ukrainian, Moldavian, Romanian and Russian immigrants that live it , as it represents on small scale what their country was, and they can imagine for few hours to be there. That’s how you meet every kind of stalls and the “carriers”: commuters who travel once a week from Eastern Countries to Milan, carrying packages to the families and earning a few dozen euro. But the inhabitants of this area call this traffic as “the way of the care workers”, as the confluence of these women in this area is very high, and their main occupation is taking care of our elderly (to whom we often don’t give importance). Entering this world, so different from our origins and from the daily life today we are linked to, is such an incredible experience: we can travel those far away countries just through the people that live them. I believe that men today should love their own country keeping their traditions but also knowing how to appreciate other countries which are found not just at the Cascina Gobba’s parking lot but all over the city. This reportage wishes to give a different look at the city, so that people can get to know a whole world inside the daily life of Milan.

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Interview with Giada Archidi

Realized by Anna Mola: blogger, text writer, art curator. Teacher of history and criticism of photography at Mohole Shool.

Anna Mola:
Looking at you pictures, I notice a great coherence between story and realization. Would you talk about how the idea has influenced the construction of the images? I mean: how the technique (framing, colours, post-production) was in service for the idea behind this reportage?

Giada Archidi:
Eastern market was a personal project, I’m always curious about the other cultures, and in Cascina Gobba I’ve found a parallel world. The technique that I used was derived from street photography, it’s not an invasive reportage but it’s like a simple look without cultural influences, I chose to elaborate the images with the typical colour of crossed process to bring near the east places.

Cascina Gobba is a quarter of Milan. A Milan really not recognizable in these images. How did you feel shooting them? As a street photographer or a foreign in your city also?

When I was going for the first time in Cascina Gobba I felt to be in other country but my approach was like a street photographer, I love to capture the moment.

By this time, we can’t talk about “one” Milan anymore. They are several Milan: a kind of “Chinese Milan”, “Arabian Milan”, “Indian Milan”, exc. Do you think you’ll develop this theme with other reportage about other cultures in Italy?

I hope, in order to produce this works you need time to find the good place and if there is the good story. I would like to find the other small cultures in Milan, live their culture and tell an interesting story.

In your web site, I see different kind of photography: portrait, urban landscape, concert photography. What’s the “common denominator”? Just experimentation or something else?

I love photography and also videomaking, I think that experimentation and curiosity work like a “common denominator”.
I’m working in a new project, a common studio named ‘Bubbles’, it’s a container of ideas, a place where creative people can come to us and speak about their ideas and with “Bubbles team” and me we can turn these ideas into reality.

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Posted on: November 23rd, 2011 by admin No Comments

 

Elisa Figoli

L’Aquila: fragments from the aftermath

Elisa Figoli was born in Italy in 1979. Based in London since 2008 she works on long term documentary projects.
Personal website: www.elisafigoli.com

L’Aquila: fragments from the aftermath (March-April 2011)
At 3:32 am of the 6th of April 2009 a violent earthquake struck L’Aquila (Italy) killing 309 people and leaving 65,000 homeless but also unveiling the frailty of the Italian society and of its commonly accepted models of urban security and planning.
Investigations conducted afterwards revealed that both private and public buildings did not comply with the safety regulations and that the possibility of a serious seismic event had been largely underestimated. Two years later, the reconstruction of the town has still not properly started and the neglect is consuming what the earthquake had left behind.
L’Aquila former inhabitants live now dispersed in the suburban areas, dwelling in precarious accommodations.
This series is part of an ongoing project documenting the difficult rebirth of the town and of its community, affected by the collapse of the former social and geographical reference points, the uncertainty about the future, the harshness of daily life in an exploded urban environment.

Posted on: June 28th, 2011 by admin No Comments

 

Mattia Vacca

S’ardia

Mattia Vacca was born in Como in 1978, he works and lives in Como and Milan.
In 2003 he graduated with a degree in Science of Communication and a specialization in Cinema and Journalism.
He was selected for two editions (2003-2004) of the Masterclass FSS Film Studies and Documentary Filmmaking in Locarno.
He started taking pictures in 1998. Since 2006 he covers daily news events in Lombardia for Corriere della Sera. His work has been pubblished on major Italian daily newspapers.

S’ardia.
Barbagia
is a large mountainous area in the central-eastern part of the Italian island Sardinia with beautiful nature and little isolated villages where people still lives respecting traditions working most of sheep-farming and breeding. One of these villages is Sedilo, where every year on July 6th a hundred of the best, most daring and brave horse riders participate in a wild and unrestrained race: S’ardia.
They don’t run for money or glory but to show their devotion to a warrior saint, Saint Constantine. Actually he is not a saint according to the Vatican Church that never approved him, but he is to Sedilo’s people, who celebrate his deeds and courage in defending the weak.
Riders races down the hill at full gallop, pounding towards the narrow entrance below the Arc of Constantine amid rifle shots and clouds of dust, the speed is crazy and a mistake can be lethal. It has been, many times, the last death occurred in 2009.
The dust filled air, harsh with the smell of gunpowder and the crowd’ s frenzy bring Sedilo and it’s devout inhabitants back to a time long gone.

PRIVATE 41 - From Poland
Posted on: January 18th, 2011 by admin No Comments

 

Clara Vannucci

Crime and redemption

Clara Vannucci was born and raised in Florence, Italy in 1985. She has always been interested in photography, since she was very young. After the degree in graphic design, at the University of Architecture of  Florence, she decided to make her passion for photography become her life and her profession. Her most important project is about Theatre in prison in Tuscany, with her camera she has begun to show how the method of acting in prison can be a useful tool to changing the way the criminal mind works. She started to take pictures in prisons like Rikers Island, NYC,  to continue her project about Crime and Redemption. Her interests are mostly based on the diversity of people and their cultures. And she finds in Photography the best way to show the world as it is telling stories. For this reason she chooses tough subjects and issues and tells her stories traveling all around the world. From Florence, where she documented the issue of political Refugees, to countries like Madagascar, Mali, Etiopia, Cameroon and most recently, in Yemen, documenting the problem of  Water and the Shark Finning.
Now she lives between NYC and Italy. In NYC she is working as assistant for the photojournalist Donna Ferrato.

Crime and redemption
With my camera I’ve begun to show how the method of acting in prison can be a useful tool to changing the way the criminal mind works.
I started this project six years ago when I was working as the photographer for a video documentary group.
In Europe prison theatre is considered to be  a highly motivotional theraputic method of working with violent incarcerated offenders. It has produced  positive results for educating prisoners  to become functioning members of mainstream society by teaching them how to read, how to work collaboratively, and how to be responsible for each other, as well as themselves.
Prison theatre is about redemption. Through the process of learning how to play a role they learn how to make wiser decisions when they are released back into society.
In 1988, at the prison, Volterra, (similar to Sing Sing or Folson Prison in California), Armando Punzo, founded the Compagnia della Fortezza, a theatre company comprised of dangerous felons and hard core “lifers”.
I had the opportunity to travel and document the company on tour across Italy.
One week they were performing in a small town close to the Italian Border.  During the day they were free to walk around the square without being guarded. They were free to socialize in local cafes. In the evening they performed to sold-out crowds.
After the performances they were driven to the local prison where they slept in cells as if the prison was more like a hotel – but around them were prisoners and guards.
I asked a prisoner why no one tried to escape since they had chances.  He said, “Why should I run? Where would I go? Twenty years I’ve lived in prison. Now I have something to live for. Life has meaning. ”
An extraordinary prison rehabilitation program is changing hearts and minds of hardened criminals.  Part of its technique is to integrate the convicts who have proven they can be trusted with good behavior into mainstream society when they perform outside the prisons walls with the blessing of Italian society.
At that time I understood little about the prisoners lives.  I was inexperienced with the reality of life behind prison walls. I had no context about how they viewed their situations or why they had committed serious crimes and at first I couldn’t tell if prison theatre would really be able to make a difference in the long run.
The question I kept asking was whether or not criminal behavior can be modified over long term participation in the theatre program.

PRIVATE 48 - Economic inequalities
Posted on: November 11th, 2010 by admin No Comments

 

Erik Messori

Naples Camorra

Erik Messori is based in Italy. He began his photographic career with local newpapers in his native Italian region. In 2003 he began working freelance for publications such as the Out of Focus Magazine, Photojournale, The Australian, Bite Magazine, Social Documentary, Corriere della Sera, and PeaceReporter Magazine. He cooperates with News International and A.N.S.A.
During career he has photographed International stories in Albania, Kosovo, Chernobyl, Belarus, Bangladesh, Italy, Vietnam and Australia, as well as the war of camorra in Naples and earthquake in Aquila in 2009. His Chernobyl work was published in book CONNECTIONS ACROSS A HUMAN PLANET of Photojournale. His awards include: Award of Merit at the Fotoweek DC 2009. Erik is a finalist in LPDF Awards 2009 in Photojournalism Series. Erik Messori is represented by Photo Agency F:4 in Turin – Italy..

Naples Camorra (2006-2008)
Naples: northern district; area of Scampia; population eighty thousand. Here, if we observe attentively, we can still distinguish the horizontal line where the long wave of the Italian economic miracle crashed and turned backwards. Erik Messori has walked through this environment of “blood and cement”, photographing the dull and leaden skies under which lives a degraded inhumanity, made of drug dealers and their clients, death and poverty. Through his photos we lose all sense of reality mainly because we are used to thinking of degradation as something far removed from us, that is, the shanty towns of Lagos, the shacks of Rio and the unimaginable worker’s district of Mumbai. Yet, at more or less a thousand kilometres from Milan there exists an island called Scampia. But this is an island of terror, a ghetto rising from the ashes of the 1980 earthquake and chosen by destiny and a political complacency to be like a refuge for the mafia clan. It is an immense place for dealing, a paradise of drugs that shocks you in its brutality.
Erik gathers the fragments of an imagine that is consolidating right now, and yet Scampia has always been there. The ‘Vele” of Franz di Salvo, the buildings made famous by the Garrone film, stand like rotting tombstones in the streets invaded by cars and rubbish.
As if seduced by this far away violence, we approach, with a safe distance, to have a better look, to focus in the eyes of death. And it is a death which runs along the entrance hallways of the buildings, on balconies populated by flocks of satellite dishes, along the streets beaten by cars from customers and drug dealers. In viewing Messori’s photos, one can almost hear the cries of street urchins alerting each other from balconies, pointing to who enters and who leaves the district. Escorted by police we enter, together with Erik, on the roadside some addicts: lie down, inject, and surrender to the drug in the middle of litter and rotting fields, covered by garbage and used syringes.
Scampia attracted crowds of addicts when, in the early nineties the administration decided to open a new ASL facility, Napoli 1, which housed a centre of administration of methadone, right next to Vele. A decision that not only attracted drug addicts but also the Camorra people which, having sensed the possibility of business, gradually settled in the district. Far from the city centre, isolated and unpoliced the Camorra took over the area. The Di Lauro clan in particular, was the lord of the district until the year two thousand, when a bloody war was unleashed within the clan.
Hundreds of corpses have fallen in this corner of Italy forgotten by law. Messori renders the image of death imprinted on the face of a man lying on the floor of a building, his head facing upwards, mouth half closed, surrounded only by the police markings. Looking at this picture comes to mind a passage from ‘Gomorra’ in which Saviano tells of how much he was horrified to know that the men of the clan, mortally wounded, often defecate while dying.
To live and to die in Scampia must be simple and very difficult at the same time. Simple, as the silence of fear, and simple as the complacency to a situation that no authority is willing to change; a bit like getting a vote in exchange for something. Difficult as the choice, the one imprinted in grey concrete, written by the insecure hand of a drug addict, last epitaph of an Italian shadow, captured by the lens of Italian photographer, Erik Messori. (Planned by John Horniblow, written by Isabella Midili, translated by Manuela Giaroli)

Posted on: September 24th, 2010 by admin 7 Comments

 

Marika Puicher

Asinara: Redundancy Island

Marika Puicher was born in 1979 and she currently lives in Bologna. She is graduated in Education Sciences at the University of Bologna. Then she attended a master course in Reportage Photography at the Jhon Kaverdash School in Milan. (more…)

Posted on: June 7th, 2010 by admin 5 Comments

 

Giacomo Brunelli

The Animals

Giacomo Brunelli (b. Perugia, Italy, 1977) graduated with a degree in International Communications in 2002. His series on animals has been exhibited widely with solo shows at the Photofusion, London (Uk) BlueSky Gallery, Portland, Oregon (Usa), The New Art Gallery Walsall (Uk),  StreetLevel Glasgow (Uk), Arden & Anstruther Petworth (Uk), Galleria Belvedere Milan (Italy), Fotofestiwal Lodz (Poland) and Boutographies, Montepellier (France).
The work has already won a number of prizes including the Sony World Photography Award, the Gran Prix Lodz, Poland, the B&W magazine Spotlight and the Magenta Foundation “Flash Forward 2009”. He has also featured widely in the art and photography press including Eyemazing (Holland) B&W Magazine (Usa), Creative Review (Uk), Foto&Video (Russia), Images Magazine (France) Photographie (Germany), Katalog (Denmark), AdBusters (Canada).
His work is in the collection of Museum of Fine Arts Houston, Portland Art Museum and at The New Art Gallery Walsall,Uk. “The Animals”, his first monograph, was published by Dewi Lewis Publishing in 2008.

The Animals

I have been working on the series of animals for four years and with them I want to photograph their freedom to move but I am also trying to give information about their bodies (skin, hair, ears,legs) and to investigate my own reaction in their presence.
When I was a child I used to spend time playing with animals (more…)

Posted on: March 29th, 2010 by admin No Comments

 

Michele Palazzi

The last Tents

Michele Palazzi was born in Rome in 1984. His work focus on ethnic minorities, from the Dalit catholic indian community, to the Roma people living in Italy. He joined Prospekt in 2009. In the same year he was honoured with the Enzo Baldoni Journalistic Award.

The last Tents
After the April 6th 2009 earthquake in Abruzzo, the Italian Government offered some temporary shelters for the displaced people. The “Piazza d’Armi” tents camp in L’Aquila (Abruzzo capital) has been for months the main symbol of the displaced people. Now the Government gave to the displaced people a new and better solution, different from tents (mainly in hotels around the region). In the Piazza d’Armi tents now live some 20 people that refused the Government solution. The main reason is that the proposed new accommodation was far from the town of l’Aquila, town that represents the only possibility and hope to go back to a normal life…

PRIVATE Special Box
Posted on: March 5th, 2010 by admin 2 Comments